How do we use our bodies to express ourselves? How do we choreograph our movements? And how do we interpret these actions?

A production course geared to performers, choreographers, and other artists interested in producing site-specific work. Through three assignments, students will have the opportunity to plan and conceptualize a site-specific work.

The students of dance historian and Smith professor. Lester Tomé wrote these essays as final projects for the seminar Interrogating Dance Globalization, which sought to illuminate the effects of globalization on the practice and study of dance today.